2017 • Margot Robbie, Sebastian Stan
I, Tonya is a darkly comedic, mockumentary-style retelling of Tonya Harding’s rise in figure skating, her turbulent personal life, and the infamous 1994 Nancy Kerrigan attack scandal. The film uses conflicting interviews and stylized flashbacks to explore class snobbery in the skating world, Tonya’s abusive upbringing, and her volatile marriage to Jeff Gillooly.
The film leaves it deliberately ambiguous whether Tonya ordered or knew about the attack. In reality, court records and the FBI investigation showed she had prior knowledge of a “death threat” plan against Kerrigan and learned more details afterward, though she was never criminally charged with conspiracy.
The movie intensifies LaVona’s cruelty with shocking moments such as throwing a knife at Tonya and forcing her to pee on the ice after falling. Harding has publicly confirmed suffering years of severe physical and emotional abuse from her mother, but many of the specific violent incidents shown (including the knife-throwing and bathroom scene) were exaggerated or invented for dark comedic effect.
The on-again, off-again violent relationship is shown with heightened brutality. In reality, there were multiple documented police reports, restraining orders, and serious physical abuse (including being beaten with objects and choked).
The memorable scene in which Tonya swears at the judges (“Suck my dick”) and storms off the ice is completely invented. Harding has stated that she never spoke to officials or judges in that manner. While she was known for her fiery temper and frustration with the skating establishment, this specific vulgar outburst and dramatic exit did not occur.
The broken skate lace during Tonya’s short program at the 1994 Olympics is based on a real event that caused her genuine distress and forced a re-skate. However, the film heightens the emotional breakdown, the level of panic, and the surrounding chaos for greater cinematic tension and to emphasize the unfairness she felt from the skating establishment.
The film correctly shows how Tonya’s blue-collar background hurt her in the elitist skating world. However, the entire mockumentary format with wildly contradictory talking-head interviews is a stylistic choice — many scenes are heavily stylized or invented based on conflicting accounts.